In many of Meulemans’ works, the image seems either to be emerging or dissolving. It is as if one is looking at something that has not yet assumed a fixed form, or whose contours are already disintegrating. This indeterminacy is deliberate. She does not paint to represent something precisely, but to evoke a state: a moment between control and surrender, an in-between phase in which process and form become visible together, and every interpretation remains open.
